图书简介

The Paradox of Audiences Matthew Reason, Lynne Conner, Katya Johanson and Ben Walmsley Part One: Histories, Theories and Questions of Social Justice Introduction Lynne Conner 1. Ellen Dissanayake in Conversation Ellen Dissanayake and Lynne Conner 2. Histories of Audiencing: On Evidence, Mythology and Nostalgia Helen Freshwater 3. Disrupting the Audience as Monolith Lynne Conner 4. Who? Why? and How?: The Contribution of Sociology to the Study of Arts Audiences and Where it Needs Help Laurie Hanquinet 5. The Future of Audiences and Audiencing Jennifer Novak Leonard 6. Which Global? Which Local?: Aucitya, Rasa, Development, Ase and other Demands on the Audience Glenn Odom and Giri Raghunathan 7. Forced Experiences: Shifting Modes of Audience Involvement in Immersive Performances Doris Kolesch and Theresa Schutz Part Two: Policies, Politics and Practices Introduction Ben Walmsley 8. Alan Brown in Conversation Alan Brown and Emma McDowell 9. Are We the Baddies?: Audience Development, Cultural Policy and Ideological Precarity Steven Hadley 10. At what cost? Working Class Audiences and the Price of Culture Maria Barrett 11. A ’Universal Design’ for Audiences with Disabilities? Bree Hadley 12. Fans and Fandom in the Performing Arts Kirsty Sedgman 13. The Role of the Audience in Forum and Interactive Theatre: Perspectives from Bangladesh Meghna Guhathakurta 14. Audience Engagement and the Production of Efficacious Theatre: Case Studies from Ghana Awo Mana Asiedu 15. Critical Perspectives on Valuing Culture: Tensions and Disconnections between Research, Policy and Practice Ben Walmsley and Julian Meyrick Part Three: Methods, Methodologies and Understanding Audiences Introduction Matthew Reason 16. Martin Barker in Conversation Martin Barker and Matthew Reason 17. Mixing Methods in Audience Research Practice: A multi-method(ological) discussion Emma McDowell 18. Quantifying the Dance Spectacle in the Audience’s Mind: A Methodological Quest for Neuroscience Research Corinne Jola 19. Continuous and Collective Measures of Real-Time Audience Engagement L.S. Merritt Millman, Guido Orgs and Daniel Richardson 20. Audience Interaction: Approaches to Researching the Social Dynamics of Live Audiences Patrick G.T. Healey, Matthew T. Harris and Michael F. Schober 21. Quantitative Measures of Audience Experience Wing Tung Au, Zhumeng Zuo and Paton Pak Chun Yam 22. The Benefits and Challenges of Large-Scale Qualitative Research Stephanie Pitts and Sarah Price 23. Creative Methods and Audience Research: Affordances and Radical Potential Matthew Reason 24. Ethics in Audience Research: By the Book or on the Hop? Katya Johanson and Hilary Glow Part Four: Shorts: Adventures in Thinking About Audiences Introduction Katya Johanson 25. Affect Lucy Thornett 26. Agency Astrid Breel 27. Co-Creation Michael Pinchbeck and Rachel Baynton 28. Covid-19 Tully Barnett 29. Data Rishi Coupland 30. Dialogue Maddy Costa 31. Integrated and Inclusive Vipavinee Artpradid 32. Labour Martin Young 33. Language Michelle Loh 34. Laughter Natalie Diddams 35. Marginalia Helen Yung 36. Memory Elaine Faull 37. One-to-One Rachel Gomme 38. Pantomime Robert Marsden 39. Post-Humanity Fayen D’Evie 40. Post-Show Diane Ragsdale 41. Rehearsal Anja Ali Haapala 42. Relaxed Lauren Hall and Paul Wilshaw 43. Risk Ella de Burca 44. Sickness Veronica Rodriguez 45. Thresholds Stefania Donini 46. Touch Elena S.V. Flys Afterword: Covid-19, Audiences, and the Future of the Performing Arts Matthew Reason, Lynne Conner, Katya Johanson and Ben Walmsley List of Contributors Editors Matthew Reason is Professor of Theatre and Director of the Institute for Social Justice at York St John University, UK. His current focus is on experiential and phenomenological responses to theatre and dance performance, including through qualitative and participatory audience research. His books include Documentation, Disappearance and the Representation of Live Performance (2006), The Young Audience (2010), Kinesthetic Empathy in Creative and Cultural Contexts (with Dee Reynolds 2012), Experiencing Liveness (with Anja Lindelof 2016) and Applied Practice: Evidence and Impact across Theatre, Music and Dance (with Nick Rowe 1017). For further information visit www.matthewreason.com Lynne Conner is Professor and Chair of the Department of Theatre at the University of North Carolina at Charlotte, USA. Her audience studies publications include Audience Engagement and the Role of Arts Talk in the Digital Era (2013) and Project Brief: The Heinz Endowments’ Arts Experience Initiative (2008) as well as chapters and articles in numerous books and journals. Keynote and plenary addresses (among others): International Network for Audience Research in the Performing Arts/University of Leeds, Institute of the Americas/University of Toulouse, University of Chicago Cultural Policy Center, Salzburg Global Seminar, Toronto Creative Trust, National Performing Arts Convention, Wallace Foundation, International Society of Performing Arts Presenters, Boston Foundation/Massachusetts Cultural Council, Greater Philadelphia Cultural Alliance, Grantmakers in the Arts, Dance USA, and the American Symphony Orchestra League. Katya Johanson is Professor of Audience Research at Deakin University, Australia. Often in collaboration with public cultural policy agencies, she researches the ways the arts impact on people’s lives and beliefs. This includes the impact of transnational work on cultural and political beliefs, of reading on teenagers’ lives, and of the arts on local communities. Katya is the co-editor of The Audience Experience: A critical analysis of audiences in the performing arts, Chief Investigator on an Australian Research Council project on teenager leisure reading practices, and a board member for Cultural Trends. Ben Walmsley is Professor of Cultural Engagement in the School of Performance and Cultural Industries at the University of Leeds and Director of the Centre for Cultural Value, UK. Prior to his academic career, he worked as an arts manager for ten years, most recently as a Producer at the National Theatre of Scotland. Ben is the Co-Editor of Arts and the Market and has published widely on arts marketing, arts management, cultural policy and cultural value. His monograph Audience Engagement in the Performing Arts: A critical analysis was published by Palgrave Macmillan in 2019. Contributors Anja Ali-Haapala is an independent dance researcher and educator based in Brisbane, Australia. Her research focuses on experiences of dance as audience members and recreational dancers. This work informs and is informed by her community dance practice. Anja is a co-chair of the World Dance Alliance Asia-Pacific Research & Documentation Network and the Dance Early Career Researchers Community. She holds a PhD and BFA from Queensland University of Technology. Vipavinee Artpradid is a postdoctoral research fellow at the Centre for Dance Research (C-DaRE), Coventry University. Her PhD research applied phenomenography to understand the phenomenon known as disability in audiences of inclusive dance. With roots as an educator-researcher in Singapore and Thailand, she has explored alternative learning pedagogies and queer disidentification through Spanish dance. Her current research interests include audience engagement, disability in the context of dance, embodied approaches to phenomenography, pedagogy, and film theory. Awo Mana Asiedu is a Senior Lecturer and currently the Acting Director of the School of Performing Arts of the University of Ghana, Legon. She is a member of the Executive Committee of the International Federation of Theatre Research (IFTR) and a member of several boards and committees. Awo currently serves as a contributing editor of Theatre Research International. Winton Wing Tung Au is Associate Professor in Department of Psychology at The Chinese University of Hong Kong. He started doing experimental research on cooperation but somehow developed an interest in drama. He is too bad at acting so he does research instead on performing arts examining audience experiences and motivations. He is driving the initiative \"One Month One Art\" that encourages people to take part in an art event once a month. Rachel Baynton is co-artistic director of Proto-type Theater (UK), a company of multi-disciplinary artists creating original performance. She has written, directed, and produced work with venues and communities around the country, and is a regular presenter for BBC Radio. She is currently Lecturer and Creative Engagement Producer for the University of Lincoln. Martin Barker is Emeritus Professor at Aberystwyth University, and Visiting Professor at UWE, Bristol (UK). Across a long research career, he has explored topics including contemporary British racism, media panics, censorship campaigns and audience research. He helped found, and has since edited, the journal Participations. Dr Tully Barnett is a Senior Lecturer in Creative Industries at Flinders University (South Australia). She researches ways we understand the benefits created by the arts and culture sector with Laboratory Adelaide: The Value of Culture. She is co-author of What Matters? Talking Value in Australian Culture (Monash University Publishing 2018). She is Deputy Director of Assemblage Centre for Creative Arts, and a board member for the Australasian Association for Digital Humanities and the Australasian Consortium of Humanities Research Centres. Maria Barrett is Associate Professor in the Centre for Cultural and Media Policy Studies at the University of Warwick (UK), where she is Course Director for International Cultural Policy and Management. Maria is currently working on AHRC-funded research into the impacts of Covid 19 on the cultural industries in the UK and evaluating the National Theatre’s Theatre Nation Partnerships programme. Rachel Baynton is co-artistic director of Proto-type Theater, a company of multi-disciplinary artists creating original performance. Critics have called their work ’an intriguing brush with altered reality’ (New York Times) and ’smartly intelligent, coolly reasoned theatre’ (The Guardian). She has written, directed, and produced work with venues and communities around the country, and is a regular presenter for BBC Radio. She is Lecturer and Creative Engagement Producer for the University of Lincoln. Dr Astrid Breel is a researcher and educator, whose work explores participation, agency, co-production and impact within an interdisciplinary context. Her work examines how participants find meaning in their participation and how their intangible experiences might be captured. Astrid is the Impact Research Fellow at Bath Spa University, an Associate of Coney (who make theatre for playful audiences) and a member of artist-led organisation Residence in Bristol, UK. Alan Brown, principal of WolfBrown (USA), is a leading researcher and management consultant in the arts and culture sector. His work focuses on understanding consumer demand for cultural experiences and on helping cultural institutions, foundations and agencies to see new opportunities, make informed decisions and respond to changing conditions. Visit www.wolfbrown.com for more information. Ella de Burca (Ireland) works through performance, sculpture and poetry to focus on how humans construct meaning, particularly from a female perspective. She is especially interested in how we perform as ’viewer,’ and the discourse surrounding active versus passive experiences. Her work is usually site-specific and temporary. She is currently pursuing a practice-based PhD at KU Leuven, Belgium. Maddy Costa is a UK-based writer, dramaturg and host of conversations inspired by theatre. She contributes reviews to Exeunt and collaborates with theatre-makers to creatively document their work. With Mary Paterson and Diana Damian Martin she is co-host of Something Other and the Department of Feminist Conversations, inter-related platforms for experimental writing and critical dialogue. Rishi Coupland is Head of Data Intelligence at the National Theatre, where he leads the Data Studio. Prior to this, he was Head of Audience Strategy (National Theatre) and Marketing Services Manager (Southbank Centre). Rishi began his career as an engineer in locations across Europe. In 2017 Rishi was awarded a Clore Fellowship. Rishi is a board member of the Arts Marketing Association and London Arts and Health Forum. Fayen Ke-Xiao d’Evie is a blind-ish artist and writer, born in Malaysia, raised in Aotearoa, and now living on Jaara country, Australia. She is the founder of 3-ply, which experiments with publishing as a site for the creation, mutation, dispersal, and archiving of texts. Fayen provides creative provocations and pedagogical guidance to arts institutions committed to ambitious curation of disability-led practice. She is a lecturer in Communication Design, RMIT University. Natalie Diddams recently completed her PhD at Manchester Metropolitan University. Her thesis was entitled Making Waves: Comedy, Humour and Laughter as Fourth Wave Feminisms. She is a Lecturer at Manchester Metropolitan University and an Associate Lecturer at University of Warwick. She is a member of the Mixed Bill research collective, and her work has been published in Conjunctions (2019), Comedy Studies (2020) and Research in Drama Education (2020). Stefania Donini works as Audience Research Officer for the Paisley Museum Re-imagined project (Renfrewshire, Scotland). She completed her PhD on audiences and public spaces, funded through the Barbican-Guildhall studentship. Her academic research and professional experience in Italy and the UK are focused on audience engagement, participation and public programming. Ellen Dissanayake is an ethologist and cultural theorist. She is currently Affiliate Professor in the School of Music at the University of Washington (USA). Her books include Early Rock Art of the American West: The Geometric Enigma; L’infanzia dell’Estetica: L’Origine Evolutiva delle Practiche Artistiche; Art and Intimacy: How the Arts Began; Homo Aestheticus: Where Art Comes From and Why, and What is Art For? Elaine Faull is an audience researcher. Since obtaining a PhD in Theatre Practice at the University of Exeter, she has continued to evaluate theatre productions in the South West of the UK, in the fields of Outdoor Theatre, Community Theatre and Children’s Theatre. Her longitudinal inter-disciplinary research contributes to the fields of audience studies, memory studies and emotional well-being, and discusses the impact of theatre performance on primary-aged children’s learning. Dr Elena SV Flys is Professor in Arts Administration at TAI University Center for the Arts. Her research focuses on accessibility, audience reception, and social integration. She designs accessibility for theatre productions in the US and Spain. This Short was supported by the James H. Brickley Endowment for Faculty Professional Development and Innovation at EMU. Helen Freshwater is a Reader in Theatre and Performance at the University of Newcastle (UK). She has a long-standing research interest in theatre audiences. Her publications in this area include Theatre & Audience (2009) and ’British Theatre Audiences since 1945: ownership, interaction, agency’, forthcoming in The Cambridge Companion to British Theatre Since 1945. She was Co-Investigator on ’Understanding Audiences for the Contemporary Arts’, a 36-month AHRC-funded project which concluded in 2020. Hilary Glow is Professor in the Department of Management at Deakin University, Australia, and Director of the Arts and Cultural Management Program. Her research is in the areas of arts and cultural impact, audience engagement and diversification, evaluation processes for arts/cultural organisations, and the impact of arts programs on people’s views of cultural diversity. She is co-director of Cultural Impact Projects - a research hub of academics from diverse fields addressing the impact of arts and cultural practices. Rachel Gomme is an independent artist and researcher based in London. Her practice centres on site-specific performance and one-to-one interactions, and invites attention to the sharing of bodily being in the performance encounter, and to how organic being (including humans) inhabits urban space. Current research focuses on material and energetic relationships between humans and trees in cities, through exploration of the bodily thinking of each. Meghna Guhathakurta is currently Executive Director of Research Initiatives, Bangladesh (RIB), a research support organised based in Dhaka which specialises in action research with marginalised communities. Prior to that, she taught International Relations at the University of Dhaka. Meghna specialises in international development, gender relations and minority politics. She has published widely on migration trends in Partition histories, peace-building in post conflict societies and minority rights in South Asia. She is also Associate Editor of the Action Research Journal. Bree Hadley is Associate Professor in Drama at Queensland University of Technology in Brisbane, Australia. She is editor of The Routledge Handbook of Disability Arts Culture and Media (with Donna McDonald, Routledge 2019), author of Disability, Public Space Performance & Spectatorship: Unconscious Performers (Palgrave 2014), and has published extensively in journals such as Disability & Society, Performance Research, Journal of Arts and Communities, MC Media And Culture Journal, Australasian Drama Studies, and Brolga: An Australian Journal About Dance. Steven Hadley is an academic, consultant and researcher working internationally in arts management, cultural policy and audience engagement. He is currently a Research Fellow at National University of Ireland Galway and Visiting Lecturer at Leuphana University of Luneburg (Germany) and has held research posts at the universities of Sheffield, Bradford, and Leeds. Steven is an Associate Consultant with The Audience Agency and sits on the Steering Committee of the Cultural Research Network and the Editorial Boards of both Cultural Trends and the European Journal of Cultural Management and Policy. Steven’s research focuses on cultural democracy, audience engagement and cultural leadership. His book, Audience Development and Cultural Policy, is published by Palgrave MacMillan. Lauren Hall is a PhD researcher in a collaboration between York St John University and leading learning disability arts organisation Mind the Gap Theatre Company, UK. The focus of the research has been into questions of visibility, career opportunities and leadership development of learning disabled artists. Laurie Hanquinet is an Associate Professor in Sociology at the Universite libre de Bruxelles (Belgium). Her work focuses on cultural hierarchies and social stratification. She has undertaken research on the audiences of art museums, and on different dimensions of cultural engagement. She is the author of Du musee aux pratiques culturelles. Enquete sur les publics de musee d’art moderne et contemporain (2014) and the co-editor of The Routledge International Handbook of sociology of culture and art (2016). Matthew Tobias Harris uses live data to research human interaction and transform events. H

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