图书简介

Introduction. A history of ’modernism’ Vincent Sherry; Part I. Modernism in Time: Framing essay Vincent Sherry; 1. Modernist temporality: the science and philosophy and aesthetics of temporality from 1880 Tim Armstrong; 2. Ahead of time: the avant-gardes Jed Rasula; 3. At other times: Modernism and the ’primitive’ David Richards; 4. The long turn of the century Vincent Sherry; 5. The 1910s and the Great War Mark Morrisson; 6. On or about 1922: annus mirabilis and the other 1920s Michael Levenson; 7. The 1930s, the Second World War, and late Modernism Leo Mellor; Part II. Modernism in Space: Framing essay Vincent Sherry; 8. Modernist spaces in science, philosophy, the arts, and society Stephen Kern; 9. The new spaces of Modernist painting Daniel Herwitz; 10. Architectures and public spaces of Modernism Miles Glendinning; 11. Modernism and the urban imaginary 1: spectacle and introspection Matthew Beaumont; 12. Modernism and the urban imaginary 2: nationalism, internationalism, and cosmopolitanism David James; 13. Modernism and the new global imaginary: a tale of two Modernisms: from Latin America, to Europe, and back again Rubén Gallo; Part III. Modernism In and Out of Kind: Genres, Composite Genres, and New Genres: Framing essay Vincent Sherry; 14. Gesamtkunstwerk Lutz Koepnick; 15. ’The condition of music’: Modernism and music in the new twentieth century Ronald Schleifer and Benjamin Levy; 16. The Modernist ’novel’ Marina MacKay; 17. The Modernist poem Marjorie Perloff; 18. The theatre of modernity Ben Levitas; 19. Translation Emily Wittman; 20. Literature between media David Trotter; 21. Art and its others 1: the aesthetics of technology Nicholas Daly; 22. Art and its others 2: advertisement and the little magazines Amanda Sigler; 23. Art and its others 3: aesthetics as politics Andrzej Gasiorek; 24. The ’new women’ of Modernism Cristanne Miller; 25. ’The men of 1914’ Colleen Lamos; 26. Modernism and the racial composite: the case of America Mark Whalan; Part IV. Modernism in Person, Modernism in Community: Framing essay Vincent Sherry; 27. A technique of unsettlement: Freud, Freudianism, and the psychology of Modernism Maud Ellmann; 28. Newer freewomen and Modernism Rachel Blau DuPlessis; 29. Russian Modernism: Kandinsky, Stravinsky, and Mayakovsky Catriona Kelly; 30. French Modernism: Gide, Proust, and Larbaud Jean-Michel Rabaté; 31. Viennese Modernism: Musil, Rilke, Schoenberg Stanley Corngold; 32. The poetics of community: Thomas Mann, Joseph Conrad, Franz Kafka Tobias Boes; 33. Picasso, Stein, Apollinaire Willard Bohn; 34. Darkening freedom: Yeats, Joyce, Beckett Vicki Mahaffey; 35. F. T. Marinetti, Wyndham Lewis, and Tristan Tzara Lawrence Rainey; 36. Pound, Eliot, Hemingway Ronald Bush; 37. Non-metropolitan Modernism: E. M. Forster, D. H. Lawrence, William Faulkner Howard Booth; 38. Virginia Woolf, Katherine Mansfield, Rebecca West Laura Marcus; 39. Marcel Duchamp, Man Ray, and Djuna Barnes Michael North; 40. Bertolt Brecht, Sergei Eisenstein, Leni Riefenstahl Nora Alter; 41. Theme and variations in American verse: H. D., Marianne Moore, and Wallace Stevens Robin Schulze; 42. Letters crossing the color-line: Modernist anxiety and the mixed-race figure in the work of Langston Hughes, Zora Neale Hurston, and William Carlos Williams James Smethurst; 43. Modernism and reification: Lukács, Benjamin, Adorno C. D. Blanton; Epilogue. Modernism after Postmodernism Steven Connor; Bibliography.

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